2.0
An ornithologist who commits suicide returns as fifth force to wreack vengeance on mankind for harming birds with mobile phone radiation. The only thing that is standing in his way is 2.0, the upgraded version of Chitti, the robot.
An ornithologist who commits suicide returns as fifth force to wreack vengeance on mankind for harming birds with mobile phone radiation. The only thing that is standing in his way is 2.0, the upgraded version of Chitti, the robot.
An ornithologist who commits suicide returns as fifth force to wreack vengeance on mankind for harming birds with mobile phone radiation. The only thing that is standing in his way is 2.0, the upgraded version of Chitti, the robot.
Dr. Vaseegaran / Chitti / Kutti
Pakshi Rajan
Nila
Dhinendra 'Dhina' Bohra
Home Minister
Minister of Telecommunications
Ranjeet Lulla
Jeyanth Kumar
Meeting Chairperson
Minister of Telecommunications' PA
One of the students in Dr.Vaseegaran's lab
Nila (voice)
Sana (Voice Cameo)
2.0 film brings together elements of Action, Science Fiction and Fantasy, delivering a captivating and immersive experience. Directed by Shankar, with a screenplay by Shankar and Jeyamohan, it weaves a compelling story that keeps audiences engaged from start to finish. Backed by Produced by Subaskaran Allirajah and Raju Mahalingam and presented by Presented by Lyca Productions , the movie brings a fresh perspective to the genre. Released on 2018-11-29,, with a runtime of 149 minutes., it unfolds as a gripping narrative filled with memorable performances and stunning visuals. With a budget of $77,000,000.00, the film has earned $114,629,169.00, reflecting its impact on audiences. Now officially released, it continues to leave a mark, carrying the tagline:The World Is Not Only For Humans ....
| Movie Name | 2.0 |
|---|---|
| Original Language | ta |
| Spoken Languages | Hindi, Tamil |
| Genre | Action, Science Fiction and Fantasy |
| Country | India |
| Release Date | 2018-11-29 |
| Runtime | 149 minutes |
| Director | Shankar |
| Writer | Shankar and Jeyamohan |
| Screenplay | Shankar, Jeyamohan |
| Producer | Subaskaran Allirajah and Raju Mahalingam |
| Production Company | Lyca Productions |
The film 2.0, helmed by Shankar and produced by Subaskaran Allirajah and Raju Mahalingam under the banners of Lyca Productions, has achieved a rating of 5.9/10 based on 155 votes.
Q: Who directed 2.0?
A: 2.0 is directed by Shankar
Q: What genre is 2.0?
A: The movie belongs to the Action, Science Fiction and Fantasy
Q: What is the release date?
A: It was released on 2018-11-29
Q: What is the running time?
A: The total runtime of the film is 149 minutes
Q: Who wrote 2.0?
A: The screenplay for the movie was written by Shankar and Jeyamohan
2.0 is a mesmerizing journey into the world of , seamlessly blending storytelling, visuals, and emotions into an unforgettable experience. Directed by and produced by , this film showcases the art of filmmaking at its finest under the banner of .
Set against the stunning backdrop of , the film brings to life a world filled with intricate details and cultural depth. Told in , it retains authenticity while delivering a universally compelling narrative that resonates with audiences worldwide.
With an ensemble led by casts, every performance is layered with nuance and brilliance. Each character is brought to life with depth, making their journey all the more immersive for the audience.
From its gripping opening to its emotionally charged climax, 2.0 unfolds like a beautifully woven tapestry of emotion, suspense, and drama. Every frame is a testament to meticulous cinematography, while the soundtrack amplifies the emotional weight of the story.
✔ A visual and emotional spectacle for fans of .
✔ Masterfully directed by , known for crafting compelling narratives.
✔ Produced by under the esteemed .
✔ A culturally rich experience, set in and told in .
⭐ Final Verdict
Whether you're a devoted follower of or just looking for an unforgettable cinematic escape, 2.0 is a must-watch. A perfect blend of heart, soul, and technical brilliance, this film is a testament to why storytelling in cinema remains timeless.
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